Tell us how you first became interested in creating art.
I first became interested in creating art early in my youth. There was this unexplainable joy of making something new for this world—something tangible that I and others could experience. From the moment I was given the liberty to decide how I spent my time, I would find myself gravitating towards creative activities—whether it was film, performance, or mixed media artworks.
Which artists or art movements have influenced you?
The artist that inspires me the most is Mother Nature—the root of all creation and destruction. I watch as Nature creates moments of peace and wrath, beauty and truth, and a force within me becomes motivated to make. I am influenced to do my best to highlight the messages Mother shares, as to help my fellow humans develop a grander sense of awareness. As for art movements, there is a special place in my heart for DADA. DADA influences me because it is the active practice of trying to put the world back together with divided pieces. This movement embraces absurdity and chaos—challenging logic—as a means of finding a new way to exist.
The artist that inspires me the most is Mother Nature—the root of all creation and destruction
How would you describe your artistic style? What inspires you?
My artistic style could be described as mystical, detailed, and colorful. I am deeply inspired by Jewish Mysticism, an esoteric practice of connecting with the divine. Each creation that flows from me happens to be very intricate, whether it is my methodical linework or obsessive cutting of collage images. A part of me is immensely satisfied with the process of making and incorporating as many details as possible—making it so anyone who experiences the artwork can tempt the feeling of madness and ecstasy. As for the colorful aspect—I love balancing the chakras and noticing which ones feel the need to be present on the page. I am inspired by Nature, life, and existence. Two themes that are critical to my art-making are interconnectivity and non-duality.
Two themes that are critical to my art-making are interconnectivity and non-duality
What is your favorite art accident? Did it change your perspective?
My favorite art accident would have to be the times when I am re-assembling a collage that I had planned out. Suddenly, I made a miscount on length or an accidental full glue down when another piece of paper was meant to slide behind it. In those accidental moments, I have to trust my practice—that I will create an even grander moment within the artwork because of it. I’ll cut something new and unexpected, or lean into the placement and create a new hidden message between the images. Accidents like this help me to embrace that I am on the right path—as there is a saying, when you think you are far from where you are supposed to be—you are standing right where you need to.
What is the most important thing about art to you?
The most important thing about art to me is creating awareness. Art, personally, is a way to communicate beyond the prison of language. When I create, I set intentions for the message and awareness I am trying to bring to light. For it is my mission as a Kabbalist and Buddhist to allow all to recognize our connection to everything and nothing. This way I can help bring the messiah consciousness to fruition. (The messiah consciousness is a collective thought process of kindness, compassion, and understanding for and to all).
How do you promote your art?
I promote my art through various outlets, both in person and online. In person, I will vend at events, showcase at galleries, and attend events to connect with other creatives. Online, I apply for galleries, publications, and post frequently—reaching out to artists, showing support, and making my presence known in the digital world. It is essential to connect with as many like-minded individuals as possible, show support wherever you can, and create your own community.
What is missing from the contemporary art market? What problems do you see in contemporary art right now?
In some moments I feel that the contemporary art market is missing spaces for emerging and experienced artists to come together, showcase/sell their work, and discuss new techniques to elevate their art practice. It is rare to find genuine and helpful critique groups and communities of artist-run facilities. I think contemporary art needs more community and open hearts.
What are your plans? What are you working on now?
My plans at this moment are to continue making! I do my best to create whenever I have the chance, as well as, apply for opportunities to connect my work deeper to the artist world. I plan to apply for residencies (and possibly graduate school), so I may have the time, space, and community to evaluate my practice. Currently, I am working on plans to have a printmaking workshop with a high school and middle school. As well as multiple vending and gallery showings across the United States and online. I aspire to make my life all about creating, and I am willing to do what I need to in order to make this goal a reality.